Latest News in Black Art features updates and developments in the world of art and related culture KELLY SINNAPAH MARY, Installation view of “Notebook of No Return: Memories (Mama),” 2022 (triptych, acrylic on canvas, 99 x 77.5 inches each, three total), “everything slackens in a wreck.” Shown, Ford Foundation Gallery, New York, N.Y. (2022)....
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Bust of Martin Luther King Jr., on Display at U.S. Capitol Bears Witness to Politics, Presidential History, and Changing America
From the Archives:Olympic Spirit: Over the Years, Important African American Artists Have Paid Tribute to the Games and Champion Athletes
‘Kerry James Marshall: The Histories,’ Largest-Ever UK Exhibition of the Artist Includes New Paintings Exploring Role of Black Africans in Transatlantic Slave Trade
A Year of African American Art: New 2026 Wall Calendars Feature Works by Faith Ringgold, Alma Thomas, and Many Others
20 Must-See Monographic Museum Exhibitions Feature Artists Allan Rohan Crite, Wifredo Lam, Suzanne Jackson, Woody De Othello, Theaster Gates & More
Sold at Phillips Auction: Untitled Study by Alma Thomas Featured on Cover of Major Exhibition Catalog
Fascinating Portrait by Barkley L. Hendricks, Pairing His Subject with Coca-Cola Cooler and Party Balloons, Went Unsold at Sotheby’s
Tale of Two Paintings: Ernie Barnes Made Two Versions of His Famous ‘Sugar Shack’ Painting. One is Owned by Eddie Murphy, The Other Sold at Auction for $15 Million
American Sign Language Videos Explore Whitney Museum’s Collection, Including Works by Simone Leigh, Archibald Motley, Diedrick Brackens, Jacob Lawrence & More
Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025
Alma Thomas Way: Washington D.C., Street Where Famous African American Artist Lived is Now Named in Her Honor
Culture Type: 16 Best Black Art Books of 2024
From the Archives: Beginning in Late 1950s, African American Painters Known as ‘Highwaymen’ Captured Florida’s Natural Landscapes
From the Archives: National Portrait Gallery: Titus Kaphar and Ken Gonzales-Day Explore ‘UnSeen’ Narratives in Historic Portraiture