CRENSHAW DAIRY MART | Opening Reception, “JUICE WOOD: I Could Show You..,” Crenshaw Dairy Mart, Inglewood, Calif. (Sept. 24–29, 2023), Presented as part of The Crenshaw Dairy Mart Fellowship For Abolition And The Advancement of the Creative Economy (CDM-FAACE). | Courtesy the artist and Crenshaw Dairy Mart, Photo by Angel Xotlanihua / Elon Schoenholz ...
NYC Cultural Affairs Commissioner Tom Finkelpearl made a “surprise exit.” The following review presents a snapshot of recent news in African American art and related black culture: NEWS Big news in arts leadership. The Metropolitan Museum of Art in New York is losing the chair of its education department. Sandra Jackson-Dumont has been named director...
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For Faith Ringgold, the American Flag Has Always Been a Potent and Powerful Symbol
Mixed Media: $2 Million Flag by David Hammons is a Work of Art, Political Statement, and Art World Commodity
National Gallery of Art Acquires Faith Ringgold’s ‘Flag is Bleeding’ Painting: May Be Museum’s ‘Most Important Purchase of a Single Work of Contemporary Art’ Since 1976
The Big Reveal: First Official Joint Portrait of President and Mrs. Obama Was Made by Artist Njideka Akunyili Crosby
A Look Back: For 8 Years, President Obama Touted Merits of Art for Change
Mary Lovelace O’Neal’s Alluring New Paintings Were ‘Made in Mexico By Hand’
Sonny’s Bridge: Treasured Quilt by Faith Ringgold Covers New Yorker Magazine, a Memorial Tribute to the Celebrated Artist
Pittsburgh Sculptor Thaddeus Mosley’s Improvisational Methods and Modern Forms Channel the ‘Essence of Good Jazz’
On the Rise: 24 Museum Curators and Art Leaders Who Took on New Appointments in Second Half of 2025
Tale of Two Paintings: Ernie Barnes Made Two Versions of His Famous ‘Sugar Shack’ Painting. One is Owned by Eddie Murphy, The Other Sold at Auction for $15 Million
Bust of Martin Luther King Jr., on Display at U.S. Capitol Bears Witness to Politics, Presidential History, and Changing America
Culture Type: 16 Best Black Art Books of 2024
From the Archives: Beginning in Late 1950s, African American Painters Known as ‘Highwaymen’ Captured Florida’s Natural Landscapes
From the Archives: National Portrait Gallery: Titus Kaphar and Ken Gonzales-Day Explore ‘UnSeen’ Narratives in Historic Portraiture