The acquisitions included “Untitled (Frustula Series),” a circa 1978 cast concrete sculpture by Beverly Buchanan. THE BROOKLYN MUSEUM recently organized more than a year of exhibitions and programming dedicated to feminist art. “A Year of Yes: Reimagining Feminism at the Brooklyn Museum” marked the 10th anniversary of the museum’s Elizabeth A. Sackler Center for...
TWO EARLY PAINTINGS by Emma Amos are featured in “We Wanted a Revolution: Black Radical Women, 1965–85” (April 21–Sept. 17, 2017), the groundbreaking group exhibition organized by the Brooklyn Museum. “Sandy and Her Husband” and “Flower Sniffer,” a 1966 self-portrait by Amos, are displayed side-by-side in the show. After the Brooklyn Museum recently announced...
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Hirshhorn Museum Plans First U.S. Retrospective of Sam Gilliam in 15+ Years
Sam Gilliam on His New Work at Pace Gallery: ‘I Am Trying to Express Something That is Contemporary’
Renowned Washington Painter Sam Gilliam Has Joined Pace Gallery, For the First Time He is Represented in New York
On View: ‘Sam Gilliam: Selections’ at Ringling Museum of Art in Sarasota, Fla.
Almost Famous: The Ebb and Flow of Sam Gilliam’s Formidable Practice
Overdue: Recognition of Sam Gilliam’s Work Continues to Gain Momentum with Auction Record at Christie’s
Auction Record: 1968 Beveled-Edge Painting Sets New High Mark for Sam Gilliam
Simone Leigh Opens Much-Anticipated, Historic Exhibition at Venice Biennale, Becomes First Black Female Artist to Present Solo Show in U.S. Pavilion
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Culture Type Picks: 15 Best Black Art Books of 2020