THE PHOTOGRAPHS OF Andre D. Wagner celebrate everyday excellence and the power of fleeting moments. The New York-based street photographer trains his camera primarily on African Americans throughout the city, documenting the many untold stories found in neighborhoods from Brooklyn and Harlem. His images of blackness have recently been featured in the New York...
THE UK GOVERNMENT has selected Adjaye Associates, Ron Arad Architects and landscape architects Gustafson Porter + Bowman to design a new national Holocaust Memorial and Learning Centre in London. David Adjaye will serve as lead designer of the project. Commissioned by the UK Holocaust Memorial Foundation, the memorial honors “the six million Jewish men,...
Robert E. Lee Monument in Emancipation Park, Charlottesville, Va. | via UVA THE CITY OF CHARLOTTESVILLE’S plan to remove a monument memorializing Confederate General Robert E. Lee drew protests from tiki torch-bearing white supremacists and white nationalists. On Aug. 12, counter-demonstrators clashed with participants in the “Unite the Right” rally and one woman, among...
FLAGS HAVE PROVEN to be a powerful medium in contemporary art, from David Hammons’s “African American Flag” (1990), which sold at Phillips auction for more than $2 million, to Dread Scott’s “A Man Was Lynched by Police Yesterday” (2015) displayed last summer at Jack Shainman Gallery, and Nu Barreto’s “Desunited States of Africa” (2010)...
Lot 75: HENRY TAYLOR, “‘The Young, the Brave, Bobby Hutton’ R.I.P. Oakland, California,” 2007 (acrylic, charcoal and graphite on canvas). Estimate $35,000-$45,000. Sold for $235,500 (including fees) IN MARCH, TWO PAINTINGS by Henry Taylor set artist records at auction. A couple of weeks after Henry Taylor‘s 2011 painting “Terri Philips” sold for $182,078 (including...
Installation view of Inspiring Beauty: 50 Years of Ebony Fashion Fair” at GWU Museum and The Textile Museum. | Photo by Victoria L. Valentine MUSEUMS ARE BEING CELEBRATED around the world with an emphasis on the critical role the institutions play in civil society. On May 18, hundreds of museums are observing Art Museum...
DESIGNATED BY THE UNITED NATIONS Educational, Scientific and Cultural Organization (UNESCO), World Book Day promotes reading, publishing and copyright. It’s a great excuse to learn more about five new art books. Recently published volumes pay tribute to women artists and explore the work of African American artists active in 1960s and 70s Los Angeles—the work...
Alma Thomas, “Untitled,” circa 1968. | MoMA A NEW EXHIBITION at the Museum of Modern Art in New York is dedicated to works by women artists created between the end of World War II in 1945 and the onset of the Feminist Movement in the late 1960s. “Making Space: Women Artists and Postwar Abstraction”...
Embed from Getty Images DURING HIS LIFETIME, James Baldwin (1924-1987) had a lot to say. His insightful observations and thoughtful, sometimes fiery, words about race, civil rights, and the American paradigm resonate 30 years after his death. The recent Oscar-nominated documentary “I Am Not Your Negro,” which is based on an unpublished Baldwin manuscript,...
Artists Sam Gilliam and David C. Driskell. | © 2017 Board of Trustees, National Gallery of Art, Washington WASHINGTON, D.C. — The first time Lilian Thomas Burwell met Sam Gilliam, he told her if she wanted to be taken seriously as an artist she should get her own studio space. “He didn’t know me...
ADDISON SCURLOCK, Howard University Students,” circa 1920-30 (printed 1970). | Scurlock Studio Records, circa 1905-1994, Archives Center, National Museum of American History FOR THE GREATER PART of the 20th century, America’s black metropolises were documented by visionary black photographers who forged successful businesses and important roles as local community historians. They offered portraits of...
Detail of ALMA THOMAS, “Red Rose Cantata” 1973 (acrylic on canvas). | Courtesy National Gallery of Art Symposium gives a nod to Howard University and local artists, scholars and curators who shaped the field WASHINGTON, D.C. — For decades, Howard University in Washington, D.C., was at the center of the African American art world....
HENRY TAYLOR’s paintings on view at 2017 Whitney Biennial, including his depiction of Philando Castile, at right. | Photograph by Matthew Carasella, Courtesy Whitney Museum THROUGH LOOSLY RENDERED FIGURATION Henry Taylor conveys a sense of authenticity and insight into the complexity of humanity. The Los Angeles-based artist is participating in the 2017 Whitney Biennial,...
FOR THE MARCH COVER of Art in America magazine Henry Taylor was inspired by a society photograph from half a century ago. Titled “Cicely and Miles Visit the Obamas” the Los Angeles-based painter imagines Cicely Tyson and Miles Davis (1926-1991) visiting President Barack Obama and First Lady Michelle Obama at the White House. The...
Eldzier Cortor’s “Classical Study No. 39,” 1979 (oil on canvas) is featured on the cover of Pomegranate’s 2018 calendar. KATIE BURKE WAS VISITING Michael Rosenfeld Gallery in New York when she saw a major painting by Eldzier Cortor (1916–2015) and it sparked an idea. The publisher of Pomegranate Communications, Burke was very familiar with...
Artists Njideka Akunyili Crosby and Julie Mehretu, Museum director Belinda Tate WOMEN ACCOUNT FOR 51 PERCENT of visual artists working today, according to the National Endowment for the Arts. The figure mirrors women’s representation in the U.S. population, which was 50.8 percent in 2015, based on Census statistics. The parity ends there. The National...
James Baldwin in “I Am Not Your Negro.” | Photo by Dan Budnick THERE IS TRUE ARTISTRY in “I Am Not Your Negro.” Inspired by the writings and profound insights of James Baldwin (1924-1987), Raoul Peck’s seminal film manages to synthesize more than 50 years of America’s woeful racism and dogged inhumanity into 93...
MONUMENTAL INSTALLATIONS composed of black scaffolding have been the star attraction at Rashid Johnson‘s recent exhibitions. Last fall, “Fly Away” at Hauser & Wirth in New York featured “Antoine’s Organ,” the artist’s largest architectural grid work ever shown in the United States. Overflowing with plants, and filled with lights, video screens, shea butter and...
“We the People” at Barnes Foundation, 2016 SIX YEARS AGO, artist Nari Ward created a textile installation composed of nearly 1,000 shoe laces spelling out “We the People.” The work of art is particularly relevant today. The divisive political climate in the United States has awakened Americans anew to the values of democracy, importance...
President Obama sits for first-ever 3D Presidential portrait, which was produced by the Smithsonian Institution, June 9, 2014. | Official White House Photo by Pete Souza This post has been updated with links to the Obama White House archive site. FROM THE MOMENT President Obama and First Lady Michelle Obama entered the...