“Four Brown Chairs” (2020) by Jammie Holmes FOUR YEARS AGO, Jammie Holmes started painting. He was working in a machine shop in Dallas, Texas, and thought the creative outlet would help calm his high blood pressure and anxiety. Between the unprecedented circumstances of the pandemic and quarantine and the urgency of the racial justice...
PAINTINGS ARE POWERFUL. They influence generations of artists (Picasso’s “Guernica”), encourage pilgrimages to museums (Amy Sherald’s portrait of First Lady Michelle Obama), and garner millions of dollars at auction (“Past Times” by Kerry James Marshall). Inspired by Francis Bicknell Carpenter’s “First Reading of the Emancipation Proclamation by President Lincoln” (1864), artist Fulton Leroy Washington...
“THIRD AND RHODE ISLAND” depicts a residential block in Washington, D.C. The painting captures a row of red brick homes, a white wood porch, concrete walkways, and leafless trees. The circa 1930-40 work by Hilda Wilkinson Brown (1894-1981) is in the collection of the American Art Museum in Washington. Another artist, Lilian Thomas Burwell,...
Theaster Gates is featured in “Firsthand: Coronavirus,” a series from Chicago’s PBS affiliate. | Video by WTTW TRAVELING THE GLOBE is a constant in the life of artist Theaster Gates. His schedule of exhibitions, talks, lectures, and projects is unrelenting. Gates has a diverse portfolio. In his bio, he states that his practice “focuses...
Emory Douglas talks about his graphic design work. His images have become synonymous with the visual identity of the Black Panther Party. | Video by AIGA THE GRAPHIC IMAGES of Emory Douglas communicated the Black Panther Party’s platform and programs. From 1967 to the early 1980s he developed the organization’s visual identity. He served...
Installation view of “A Teenager With Promise (Annotated)” (2017) AT THE END OF FEBRUARY, the Whitney Museum of American Art announced 75 artists selected to participate in the 2019 Whitney Biennial. Among them is Alexandra Bell, an artist with a master’s degree in journalism from Columbia University. Rather than using her journalism degree to...
“The Wedding Reception” (2015) by Keith Duncan EVOKING THE CULTURE of black New Orleans, the work of Keith Duncan is full of bold color and energetic movement. His images are often densely packed with people coming together for ritual gatherings or presents a confluence of symbolic images around a unifying theme. “The Big Easy,”...
Installation view of “Betye Saar: Something Blue,” Roberts Projects, Los Angeles THE SMITHSONIAN’S ARCHIVES OF AMERICAN ART interviewed Robert Colescott about his life and work in 1999. Paul Karlstrom, who spent his entire three-decade career at the archives as West Coast regional director, conducted the oral history interview with the artist. Toward the end...
Gee’s Bend Quilter Mary Lee Bendolph AFTER MAKING A CAPTIVATING documentary about artist and musician Lonnie Holley, Maris Curran has trained her lens on the quilters of Gee’s Bend, Ala. In 2016, Curran delivered a brief but memorable portrait of Birmingham, Ala.-born Holley. “The Man is the Music” documents his work and shares the...
THE 2018 HUGO BOSS PRIZE has been awarded to Simone Leigh. Best known for her ceramic works, Leigh’s practice examines black female subjectivity, black feminist discourse, and the history of labor and resistance. Her selection was announced last night at the Solomon R. Guggenheim Museum in New York. The Hugo Boss Prize recognizes the...
THE STUDIO MUSEUM IN HARLEM’S 2018 Joyce Alexander Wein Artist Prize has been awarded to Diedrick Brackens. The Los Angeles-based textile artist is recognized for his tapestries and innovative weaving techniques. His selection was announced by Thelma Golden at the museum’s 50th anniversary gala this evening at the Park Avenue Armory. The annual prize...
Titus Kaphar in his New Haven, Conn., studio. YEARS BEFORE THE DEBATE about decolonizing America’s public squares where monuments pay homage to slaveholders and Confederate generals reached a fever pitch in 2017, Titus Kaphar was engaging with representation in Western art history and its overwhelming penchant for foregrounding white men while people of color...
EJ Hill at the Hammer Museum in Los Angeles WHAT DID YOU DO THIS SUMMER? E.J. Hill spent his entire summer standing on a platform at the Hammer Museum in Los Angeles. The museum’s Made in L.A. biennial opened on June 3 and every since, six days a week for three months, Hill has...
Glenn Ligon spoke at The New School’s 2018 commencement on May 18. A NUMBER OF AFRICAN AMERICAN ARTISTS were declared doctors over the past month. Invited to participate in commencement ceremonies for undergraduate and MFA students at institutions around the country, prominent artists, critics, and curators were bestowed honorary doctorate degrees. Addressing 2018 graduates,...
EMERITUS PROFESSOR Barkley L. Hendricks (1945-2017) received the inaugural President’s Award for Creative Impact from Connecticut College on May 2. He was among five faculty members recognized by President Katherine Bergeron for demonstrating excellence and innovation in research, teaching and leadership. Hendricks is the first to be honored with the new Impact award which...
Lorna Simpson: In The Studio. | Video by Hauser & Wirth OVER THE PAST FIVE YEARS OR SO, Lorna Simpson has transformed her practice. An accomplished conceptual photographer, she is now a formidable painter, who is newly expressing herself through sculpture. Since the mid-1980s, Brooklyn-based Simpson has challenged conventional notions of gender, identity, history,...