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Re-Birth of the Cool: A Second Printing of the Catalog for the Seminal Barkley Hendricks Exhibition Has Been Published

Re-Birth of the Cool: A Second Printing of the Catalog for the Seminal Barkley Hendricks Exhibition Has Been Published

  A DECADE AGO TODAY, “Barkley L. Hendricks: Birth of the Cool” opened at the Nasher Museum of Art at Duke University (Feb. 7-July 13, 2008). The traveling survey brought renewed attention to Barkley L. Hendricks (1945-2017), the artist and photographer whose powerful portraits dating from the 1960s and 70s masterfully capture the individuality, attitude...
Lines of Influence: Commissioned Works by Barbara Earl Thomas and Derrick Adams Respond to Legacy of Jacob Lawrence

Lines of Influence: Commissioned Works by Barbara Earl Thomas and Derrick Adams Respond to Legacy of Jacob Lawrence

Barbara Earl Thomas discusses her commissioned work “Caught in the Matrix” (2017).   SAVANNAH, GA. — A luminesce installation glows and emits shadows at the far end of the gallery. The floor to the ceiling work is a series of paper-cut panels of Tyvek. Standing 14-feet high, from a distance it appears lantern-like. Up close,...
The Month in African American Art: Here's What Happened in January 2018

The Month in African American Art: Here’s What Happened in January 2018

The art world is mourning artist Jack Whitten (left) and curator Kynaston McShine.   THE WORLD OF ART lost two important figures in January—inventive abstract painter Jack Whitten (1939-2018) and pioneering MoMA curator Kynaston McShine (1935-2018). In “Jack Whitten: Five Decades of Painting,” the catalog published to coincide with Whitten’s career-spanning survey (2014-15), the artist...
Lines of Influence: Centennial Exhibition Explores Jacob Lawrence's Connections with Artists Past and Present

Lines of Influence: Centennial Exhibition Explores Jacob Lawrence’s Connections with Artists Past and Present

Jacob Lawrence, “The Card Game,” 1953   SAVANNAH, GA. — Sixty-five years ago, Jacob Lawrence (1917-2000) made a painting about a Harlem card game, depicting four nattily dressed card players in the midst of a hand. Left to the devices of a lesser artist, an image of black people engaged in a game of cards...
Crystal Bridges Museum of American Art Hires Curator Allison Glenn, Expanding its Contemporary Art Team

Crystal Bridges Museum of American Art Hires Curator Allison Glenn, Expanding its Contemporary Art Team

  THE CRYSTAL BRIDGES MUSEUM of American Art announced the appointment of Allison Glenn as associate curator, contemporary art. She joins the museum’s expanding contemporary art team and will contribute to all aspects of its work, including exhibition development, publications, and long-term planning. Glenn begins work at Crystal Bridges on Feb. 12. Glenn comes to...
Coming Soon: Major Charles White Retrospective to be Presented at Museum of Modern Art, Art Institute of Chicago, and Los Angeles County Museum of Art

Coming Soon: Major Charles White Retrospective to be Presented at Museum of Modern Art, Art Institute of Chicago, and Los Angeles County Museum of Art

  A LARGE-SCALE RETROSPECTIVE of works by Charles White (1918-1979) debuts this summer in Chicago and will travel to New York and Los Angeles, cities where the artist spent key periods of his life. The Museum of Modern Art (MoMA) announced the exhibition today. “Charles White: A Retrospective” is organized by MoMA, where it will...
Jack Whitten, the Pioneering and Inventive Abstract Painter, Dies at 78

Jack Whitten, the Pioneering and Inventive Abstract Painter, Dies at 78

  IT WAS ALWAYS ABOUT EXPERIMENTATION. For more than half a century, Jack Whitten (1939-2018) pursued the possibilities of paint, material, and technique. While constantly evolving his conceptual practice, he remained proudly political, committed to exploring weighty issues, and intent on lifting up the legacies of fellow African American artists and cultural figures by paying...
Studio Museum in Harlem Offers 'Last Look' Before Making Way for New Building

Studio Museum in Harlem Offers ‘Last Look’ Before Making Way for New Building

  AN ERA IN ART HISTORY is coming to an end in order to make way for the future. The Studio Museum in Harlem is closing for three years while a new building designed by architect David Adjaye is built at its current West 125th Street location. The groundbreaking is set for this fall and...
On the Horizon in African American Art: What to Look Forward to in 2018

On the Horizon in African American Art: What to Look Forward to in 2018

THE YEAR AHEAD MARKS KEY HISTORIC MILESTONES. Fifty years ago, Martin Luther King Jr., was assassinated on April 4, 1968 in Memphis, Tenn. King’s legacy will be honored this year through many programs and events. A new exhibition at the Smithsonian’s National Museum of African American History and Culture examines the 1968 Poor People’s Campaign,...
New Artforum Editor Describes Kia LaBeija as 'An Artist I Immediately Needed Know.' Her Work Covers Latest Issue of Magazine

New Artforum Editor Describes Kia LaBeija as ‘An Artist I Immediately Needed Know.’ Her Work Covers Latest Issue of Magazine

  AN AMAZING PHOTOGRAPHIC SELF-PORTRAIT by Kia LaBeija covers the January issue of Artforum. LaBeija is a young African American artist who describes her practice as exploring “her personal narrative and the relationship between space, trauma, and the female body.” David Velasco, the new editor of Artforum, says he saw LaBeija’s work for the first...
'Face of MoMA's Future'?: Brigitte Lacombe Commission Features Museum's Diverse Young Curators and Collaborators

‘Face of MoMA’s Future’?: Brigitte Lacombe Commission Features Museum’s Diverse Young Curators and Collaborators

  THE MUSEUM OF MODERN ART (MoMA) asked photographer Brigitte Lacombe to create a visual commission (read photographic portraits and a video) for its Creative New York platform featuring the young curators, artists, fellows and collaborators who represent “the face of MoMA’s future.” A demographically diverse group of creatives was selected to participate. All the...
Culture Type: The Year in Black Art 2017

Culture Type: The Year in Black Art 2017

POLITICS PAST AND PRESENT coursed through the art world in 2017. Issues of censorship and debates around who has the right to depict black bodies came to the fore. The biggest news stories, from White House machinations, gun violence, and immigration to the fate of Confederate monuments, racial division, and sexual harassment and assault revelations,...
Representation: 9 Artists to Watch Who Joined New Galleries in 2017

Representation: 9 Artists to Watch Who Joined New Galleries in 2017

AT ANY STAGE of an artist’s career, partnership with the right gallery can be transformative. New gallery representation offers the opportunity to better communicate the focus of an artist’s practice; expose their work to a broader audience of collectors, curators, and critics; and encourage and support exhibitions, projects, and even a new creative direction. In...
Next: 23 Art Curators to Watch Who Took on New Appointments in 2017

Next: 23 Art Curators to Watch Who Took on New Appointments in 2017

THE ART, EXHIBITIONS, AND PROGRAMMING featured in museums and cultural institutions are largely shaped, guided and decided upon by curators, an elite group lacking racial and ethnic diversity. A recent survey from the Mellon Foundation found that representation for black curators (and conservators, educators and leaders) in the museum sector is dismal—just 4 percent. To...
Culture Type Picks: The 14 Best Black Art Books of 2017

Culture Type Picks: The 14 Best Black Art Books of 2017

  SOME OF THE BEST ART BOOKS published this year focus on the past and the present. Exhibition catalogs such as “We Wanted a Revolution: Black Radical Women 1965-85” and “Soul of a “Nation: Art in the Age of Black Power,” and the scholarly publication “South of Pico: African American Artists in Los Angeles in...
Survey: The Latest News in African American Art and Beyond, Dec. 13, 2017

Survey: The Latest News in African American Art and Beyond, Dec. 13, 2017

SURVEY is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. From left, Artists Emeka Ogboh and Simone Leigh made the shortlist for the 2018 Hugo Boss Prize. | From left, Photos by Adolphus Opara and Paul Mpagi...
Coming Soon: First-Ever Exhibition of Sculptures by Jack Whitten Opening at Baltimore Museum of Art in April 2018

Coming Soon: First-Ever Exhibition of Sculptures by Jack Whitten Opening at Baltimore Museum of Art in April 2018

  THIS SPRING, Jack Whitten is sharing a previously unknown aspect of his practice with the public for the first time. “Odyssey: Jack Whitten Sculpture, 1963-2016” opens at the Baltimore Museum of Art (BMA) on April 22, 2018. Co-organized with the Metropolitan Museum of Art in New York, the show will feature 40 sculptures Whitten...
The Artist Project: New Volume Explores What Artists See, What Inspires Them, When They Look at Art at The Met Museum

The Artist Project: New Volume Explores What Artists See, What Inspires Them, When They Look at Art at The Met Museum

HOWARDENA PINDELL, Detail of “Oval Memory Series II: Castle Dragon,” 1980-81.   LAST YEAR, ANDREA BOWERS was in conversation with Martha Rosler at the Dia Art Foundation. The two artists discussed “If You Lived Here…,” a project about homelessness and real estate in New York City Rosler presented at the Dia in 1989. Invited to...
Art Basel Miami Beach: Chicago Artist and AfriCOBRA Co-Founder Gerald Williams Debuts at Kavi Gupta Gallery

Art Basel Miami Beach: Chicago Artist and AfriCOBRA Co-Founder Gerald Williams Debuts at Kavi Gupta Gallery

  THE PRINCIPLES AND COLLECTIVE AESTHETIC established by AfriCOBRA in 1968 are evident in the work of Gerald Williams. Exploring culture, place, and identity from a global perspective, works by the Chicago artist are on view in the Kavi Gupta booth at Art Basel Miami Beach. Williams, a co-founder of AfriCOBRA, the artist collective that...
Art Basel Miami Beach: On View at DC Moore Gallery, David Driskell Explains His Political Paintings From the 1960s and 70s

Art Basel Miami Beach: On View at DC Moore Gallery, David Driskell Explains His Political Paintings From the 1960s and 70s

  THE DC MOORE GALLERY booth at Art Basel Miami Beach is devoted to paintings by David Driskell from the 1960s and 70s, a turbulent period in American history. Defined by an earnest use of color and deft symbolism, his paintings and collages express modern sensibilities and blend European, American, and African art forms. Work...