The exhibition “Frederick Douglass: Embers of Freedom” at the SCAD Museum of Art was accompanied by “The Golden March,” a special commission by artist Raphaël Barontini composed of a marching band performance and site-specific installations. | Photography Courtesy of SCAD SAVANNAH, GA.—Carrying flags and banners bearing the image of Frederick Douglass (1818-1895), the Savannah...
On View presents images from noteworthy exhibitions CANDID, HARSH, AND IMAGINATIVE, Vanessa German‘s mixed-media sculptures, assemblages, and wall-mounted altars are rich with narrative. Created to gird against the daily violence and indignities endured by black and brown people, her Power Figures possess joy, love, and soul protection. Pittsburgh-based German is a performance artist...
MILES DAVIS HOLDING COURT with the press after a performance at Lincoln Center is one of Frank Stewart’s more well-known photographs. A camera flash shines bright aimed at Davis who is perched against a wall on the opposite side of the room, elevated slightly just above everyone, his shadow cast behind him. Stewart shot...
AARON DOUGLAS, “Study for Haitian Mural, Wilmington, Delaware,” 1942 (oil on board). | Lent by Wilson A. and Deborah Fl. Copeland and Lauren F. C. N’Namdi On View presents images from noteworthy exhibitions WHILE ATTENTION is often paid to patrons of the arts in New York City, Chicago, and Los Angeles, for generations, the...
On View presents images from noteworthy exhibitions THE SAN JOSÉ MUSEUM OF ART acquired “Defeated, depleted,” (2018) by Woody De Othello last year. Shiny, black, anthropomorphic, and collapsing in on itself, the ceramic sculpture (above left) inspired a body of work now on view at the museum. “Breathing Room” is De Othello’s first museum...
FIVE LIKE-MINDED ARTISTS came together half a century ago with a common purpose. Jeff Donaldson (1932-2004), Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu (1938-2017), and Gerald Williams met in Wadsworth’s studio on the South Side of Chicago and committed to harnessing the power of their collective artistic voice. The artists formed AFRICOBRA in 1968 and...
On View presents images from noteworthy exhibitions GIVEN THE PERILS of the contemporary world, how do artists envision the future? “Utopian Imagination” at the Ford Foundation Gallery brings together 13 international artists whose works—spanning sculpture, photography, and film—suggest how we all might exist and persist on a planet under threat from natural and man-made forces....
Installation view of Betye Saar at Museum of Modern Art FALL IN NEW YORK CITY is always a time of renewal and fresh new perspectives when it comes what’s next and relevant in art. This season there are an exceptional number of opportunities to experience the work of African American artists in museums, galleries,...
OCTOBER IN THE UK is black history month. It’s also a significant month when it comes to art this year. Throughout this month, and the rest of the fall season, there are many opportunities to experience the work of emerging and established figures. Black artists are headlining exhibitions at museums and galleries in London,...
Installation view of “Virgil Abloh: Figures of Speech” at MCA Chicago THE MUSEUM OF CONTEMPORARY ART CHICAGO is presenting the first museum exhibition dedicated to Virgil Abloh. The fast-rising designer and inveterate collaborator is the head of menswear design at Louis Vuitton and founder of the “streetwear” label Off-White. A traveling survey spanning two...
Installation view of work by Daniel Lind-Ramos at 2019 Whitney Biennial NEW YORK, N.Y.—Throughout the run of the 2019 Whitney Biennial, an inordinate amount of attention has been paid to the challenges and controversies surrounding the exhibition at the expense of consideration of the art on view in the galleries. Amid protests, mixed reviews,...
THE ROOTS OF THE WHITNEY BIENNIAL date to 1932. Originally an annual event, the exhibition was established as a biennial in 1973. Through the decades, organizers of the group show have sought to reflect the state of contemporary art and tap the pulse of what’s going on outside the museum’s galleries. As a result,...
BLENDING PROVOCATIVE PERSPECTIVES on race and gender relations, a unique sense of humor, knowledge of Western art history, and lived experience with American identity, culture, and traditions, Robert Colescott (1925-2009) developed an insightful and thought-provoking practice that didn’t shy away from controversial topics and images that might offend. He was an exceptional painter whose...
IT’S NO SURPRISE Q-Tip is a serious record collector, given his vocation. When Gail King visited the renowned member of A Tribe Called Quest at his New Jersey home for a CBS This Morning segment, he told her he had about 9,000 records. Footage from the segment indicated Q-Tip has an interest in...
FOR THE FIRST TIME in more than three decades, “Charles White: A Retrospective” offered a career-spanning overview of Charles White, whose powerful paintings and drawings capture the strength, beauty, and dignity of African Americans. While showcasing White’s artistic practice was the focus of the museum survey, his son, Ian White, realized the traveling exhibition...
EXPLORING THE INTERSECTION of reality, memory, and perception, Nathaniel Mary Quinn paints composite portraits that read as collage. In actuality, they are produced with oil paint, gouache, charcoal, oil stick, and pastels in his own hand. He has said his fragmented and visually layered portraits are based on the faces of people he...
“The Sugar Shack” (1976) by Ernie Barnes LOS ANGELES—A master storyteller, Ernie Barnes (1938-2009) painted from experience. He captured the brawn of football and the quotidian of life in the segregated South. His representational images depict what he saw growing up in Durham, N.C., where black people gathered for communion and competition on porches and...
WHEN THE PASADENA MUSEUM of California Art (PMCA) unexpectedly closed last October, after 16 years, there were three final exhibitions on view, including “Grafton Tyler Brown: Exploring California,” a small survey of Pacific Northwest landscape paintings and commercial lithographs. A pioneer, Grafton Tyler Brown (1841-1918) was the state’s first African American contractor and is...
On View presents images from noteworthy exhibitions PROVIDING A PLATFORM for two up-and-coming artists, Sanford Biggers is presenting the work of Allison Janae Hamilton and ektor garcia at Marianne Boesky. (The gallery has represented Biggers since 2016.) Both artists make complex, narrative works. Garcia employs ceramics, crochet, and weaving techniques working with fibrous materials,...
“Black Is Beautiful: The Photography of Kwame Brathwaite,” Skirball Cultural Center THREE PHOTOGRAPHY EXHIBITIONS on view at Los Angeles institutions feature the work of Gordon Parks, Kwame Brathwaite, and photographers who have trained their lenses on the legends of hip hop. The Getty Center is presenting Parks’s 1961 images of Flávio da Silva, a...