Detail of Mark Bradford’s “Helter Skelter I” (2007). ART MARKET HISTORY WAS MADE earlier this month when “Helter Skelter I,” a monumental painting by Mark Bradford sold for $10.4 million (nearly $12 million, including fees) at Phillips London. The price was the highest-ever achieved at auction for a work by a living African American...
Lorna Simpson: In The Studio. | Video by Hauser & Wirth OVER THE PAST FIVE YEARS OR SO, Lorna Simpson has transformed her practice. An accomplished conceptual photographer, she is now a formidable painter, who is newly expressing herself through sculpture. Since the mid-1980s, Brooklyn-based Simpson has challenged conventional notions of gender, identity, history,...
MILDRED THOMPSON, “Magnetic Fields,” 1990 THE NATIONAL MUSEUM OF WOMEN IN THE ARTS celebrated the birthday of Mildred Thompson (1936-2003) with the announcement of two acquisitions. Under-recognized in her lifetime, the Atlanta-based artist worked in abstraction, making paintings, drawings, prints, and sculpture. Thompson was featured prominently in “Magnetic Fields: Expanding American Abstraction, 1960s to...
Works by Emma Amos at Ryan Lee Gallery, Armory Show 2018 NEW YORK CITY WAS FLUSH with art fairs over the weekend and The Armory Show was the central attraction. Solo exhibitions featuring Sanford Biggers at David Castillo Gallery, Emma Amos at Ryan Lee Gallery, and Simphiwe Ndzube at Nicodim Gallery were among the...
Detail of SAM GILLIAM, Untitled, 1968 featured in Contemporary Curated at Sotheby’s New York, March 2, 2018 FOR MORE THAN HALF A CENTURY, Sam Gilliam has had a relatively successful practice by any measure with critical recognition, regular exhibitions, and representation in museum collections. Known for his expressive abstraction and fluid use of color,...
Clockwise, from top left, Sam Gilliam, Lorna Simpson, Mark Bradford, Njideka Akunyili Crosby, Glenn Ligon Julie Mehretu, Lynette Yiadom-Boakye, and Rashid Johnson. | via Sotheby’s ARTISTS WITH CLOSE TIES to the Studio Museum in Harlem are donating works to support the historic institution’s construction campaign. Creating Space: Artists for The Studio Museum in Harlem:...
MARK BRADFORD, Detail of “Helter Skelter I,” 2007 A MONUMENTAL PAINTING by Mark Bradford reached a historic benchmark at Phillips London on March 8. “Helter Skelter I” sold for 8,671,500 British Pounds, about $10.4 million (nearly $12 million, including fees), an artist record, and the highest-ever auction price achieved by a living African American...
Parker, I'm so glad I had the chance to meet you today (and for the dance party)! Keep on dreaming big for yourself…and maybe one day I'll proudly look up at a portrait of you! A post shared by Michelle Obama (@michelleobama) on Mar 6, 2018 at 9:19am PST Michelle Obama visits with her new...
From left, Artists Hale Woodruff and Jacob Lawrence. GATHERING RESEARCH FOR HER THESIS, a white North Carolina college student wrote to African American artists Jacob Lawrence (1917-2000) and Hale Woodruff (1900-1980) more than six decades ago. She sought Lawrence’s view on the influence of Negro artists on American painting and, from Woodruff, insights about...
IN ANTICIPATION OF THE SPRING 2018 SALES at major auction houses in London this month, Culture Type is taking a look back at recent results at Sotheby’s. One of the benefits of observing auctions is the opportunity see works long held in private hands away from public view. The November 2017 Contemporary Day and...
McArthur Binion, 2017 Venice Biennale. LEHMAN MAUPIN GALLERY announced its representation of McArthur Binion today. His autobiographical abstract works are realized in tightly composed grid patterns. For more than four decades, the Chicago-based artist has been exploring the format through painting, drawing, and collage. Binion’s paintings were presented at the 2017 Venice Biennale, part...
Kara Walker and her crew install “The Katastwóf Karavan” at Algiers Point in New Orleans. | Photo © Ari Marcopoulos by via Prospect New Orleans BLACK HISTORY MONTH was rife with notable moments in art history, chief among them, the unveiling of the Obama portraits at the National Portrait Gallery on Feb 12. Washington...
MARK BRADFORD, Detail of “Moody Blues for Jack Whitten” (2018). WHEN JACK WHITTEN JOINED Hauser & Wirth in April 2016, the gallery’s roster claimed two of contemporary art’s most innovative abstract painters—Whitten (1939-2018) and Mark Bradford. A generation apart, while the African American artists have unique approaches to abstraction, both have largely dedicated their...
THE PHOTOGRAPHS OF Andre D. Wagner celebrate everyday excellence and the power of fleeting moments. The New York-based street photographer trains his camera primarily on African Americans throughout the city, documenting the many untold stories found in neighborhoods from Brooklyn and Harlem. His images of blackness have recently been featured in the New York...
FAITH RINGGOLD, “American People Series #15: Hide Little Children,” 1966 THE EXPERIENCES OF AFRICAN AMERICAN ARTISTS and women artists half a century ago, their fight to make any kind of art they wanted and struggles to be recognized and have their work represented in mainstream institutions, has come to the fore in recent books...
THE WHITNEY MUSEUM OF AMERICAN ART in New York City is welcoming a new curator of performance. Adrienne Edwards was appointed the museum’s Engell Speyer Family Curator and Curator of Performance today. She is joining the Whitney in May. Edwards is a curator at Performa and a curator at-large at the Walker Art Center in...
Arts and Education Advocate Peggy Cooper Caftritz (1947-2018) FOR THOSE WHO CARE ABOUT equity and access in arts and education, a major ally and important advocate has been lost. Peggy Cooper Cafrtiz (1947-2018), the Washington, D.C., arts patron who co-founded the Duke Ellington School of the Arts, died Feb. 18 at a local hospital....
WASHINGTON, DC—There are many ways to define and depict power. When President Obama’s portrait was unveiled Monday, it was a reminder that leadership, command, and influence, can be inspiring and reassuring, powerful and black. Kehinde Wiley’s portrait of the former president artfully captures the man and the symbol. The image of the first African...
A NUMBER OF ART PATRONS boast impressive collections of African American art. Peggy Cooper Cafritz is probably the loan collector in the category who has assembled two. Over the course of 20-plus years, Cafritz acquired more than 300 works by artists such as Barkley L. Hendricks, Norman Lewis, Glenn Ligon, Kerry James Marshall, Yinka Shonibare,...
BEAUFORD DELANEY, “Portrait of James Baldwin,” 1944 FORTY YEARS AFTER HIS DEATH, Beauford Delaney’s hometown museum plans a major exhibition dedicated to his work. Since 2014, the Knoxville Museum of Art (KMA) has been amassing a collection works by the artist. On Feb. 1, the museum announced the purchase of 12 paintings, drawings, and...
Barnes Foundation Appointed Judia S. Jackson Head of Human Resources and Culture at Philadelphia Museum
Jun 1, 2025
Malcolm X at 100: Transformational Leader and Outspoken Orator Inspired Artworks by Jack Whitten and Barbara Chase-Riboud
May 30, 2025
Alma Thomas Way: Washington D.C., Street Where Famous African American Artist Lived is Now Named in Her Honor
May 26, 2025
On View: ‘Vanessa German: Gumball’ Presented Monumental Heads and Fallen Figures at Kasmin Gallery in New York
May 11, 2025
Los Angeles Artist Alison Saar is 2025 Recipient of David C. Driskell Prize, For 20 Years Award Has Recognized ‘Field-Defining’ Contributions to African American Art
May 9, 2025
