Four Foundations Acquired Johnson Publishing Archive for $30 Million on Behalf of Getty Research Institute and Smithsonian’s African American Museum
THE HISTORIC ARCHIVE of Johnson Publishing Company (JPC) was sold to a consortium of four foundations—the Ford Foundation, J. Paul Getty Trust, Catherine T. MacArthur Foundation, and the Andrew W. Mellon Foundation for $30 million. The purchase was made through an auction process that commenced July 17 and concluded yesterday. The final sale is...
LeRonn P. Brooks Named Associate Curator at Getty Research Institute, Newly Created Position is Part of African American Art History Initiative
THE GETTY RESEARCH INSTITUTE (GRI) in Los Angeles announced a new hire today. LeRonn P. Brooks has been appointed associate curator for Modern and Contemporary Collections, specializing in African American art. Brooks is currently an assistant professor in the Department of Africana Studies at Lehman College in The Bronx, New York. At the Getty, he...
Culture Talk: Collector Pamela Joyner on Why She Joined the Getty’s Board and Her Strategy for Reframing the Art History Canon
Collector and Philanthropist Pamela J. Joyner THE J. PAUL GETTY TRUST announced the addition of Pamela J. Joyner to its board of trustees in February 2017. The influential philanthropist and art collector accepted the opportunity for one reason. She was intrigued by the possibilities of an ambitious idea the Getty Research Institute (GRI) was...
Culture Talk: Andrew Perchuk on How the Getty Research Institute’s African American Art History Initiative Came Together
Artist Betye Saar, 1970 THE J. PAUL GETTY TRUST dedicated resources to “recover the historical record of art in Southern California” in 2002. Nearly a decade later, the endeavor led to Pacific Standard Time, a region-wide collaboration with more than 60 institutions that resulted in a sweeping series of exhibitions, programs and publications exploring...
Betye Saar, 92, is Taking Steps to Secure Her Legacy While Forging Ahead with New Artwork and Exhibitions
Installation view of “Betye Saar: Something Blue,” Roberts Projects, Los Angeles THE SMITHSONIAN’S ARCHIVES OF AMERICAN ART interviewed Robert Colescott about his life and work in 1999. Paul Karlstrom, who spent his entire three-decade career at the archives as West Coast regional director, conducted the oral history interview with the artist. Toward the end...
