BLACK HISTORY MONTH coincides with a number museum and gallery exhibitions marking new milestones for African American artists. On-the-rise talents such as Jordan Casteel, Eric N. Mack, and Amy Sherald are presenting their first solo museum exhibitions at major museums this month. Nari Ward and Kevin Beasley are having their first New York museum...
Thelma Golden is organizing a solo show of painter Michael Armitage at MoMA in fall 2019. ONE OF THE HIGHLIGHTS of the Studio Museum in Harlem’s exhibition programming is the annual group show presenting new work by budding artists in its Artist-in-Residence (AIR) program. Each cohort mounts a show at the conclusion of its...
THE YEAR AHEAD begins and ends with major traveling exhibitions, each presenting nearly a century of works by African American artists. The January debut of “Black Refractions: Highlights From the Studio Museum in Harlem” at the Museum of the African Diaspora in San Francisco kicks off a tour of six venues. Scheduled for seven...
Gordon Parks, Mrs. Ella Watson, Washington, D.C., July 1942 “DUE TO THE GOVERNMENT SHUTDOWN, all Smithsonian museums are closed.” The message is featured in a banner across the top of all of the institution’s websites. A similar message is posted on the doors of the museums, which closed to the public on Tuesday. The...
THE LOS ANGELES COUNTY MUSEUM OF ART (LACMA) and Whitney Museum of American Art are co-organizing the first-ever comprehensive retrospective of Julie Mehretu. The traveling mid-career survey will feature more than 60 works, about 30 large-scale paintings and 32 works on paper (drawings and prints) dating from 1996 to the present. The exhibition is...
WAITING TO TAKE THE L TRAIN HOME to Clinton Hill, Brooklyn, Michael Stewart was nabbed by a New York City transit officer, accused of scrawling graffiti on the wall of the First Avenue and 14th Street subway station in the East Village. The African American artist was arrested on Sept. 15, 1983, after 2 a.m....
Installations by Derrick Adams and Tavares Strachan, left background. MIAMI ART WEEK is well underway and there are an overwhelming number of opportunities to socialize and see, buy, and experience art beyond Art Basel Miami Beach. A plethora of activities focused on artists of African descent continue this weekend. Many galleries participating in satellite...
“Derek Fordjour: Half Mast” (2018), outdoor installation at the Whitney Museum of American Art WITH IMAGES OF MOURNING and celebration, Derek Fordjour is commanding the attention of New Yorkers. The artist’s work is the subject of two prominent public art installations in the city. Downtown, near the Whitney Museum of American Art and the...
“Conspicuous Fraud Series #1 (Eminence)” (2001) by Kehinde Wiley A MAJOR EXHIBITION of more than 100 artworks by a broad selection by black artists is headed to Seattle, Kalamazoo and Salt Lake City. In January, the American Federation of Arts (AFA) is launching “Black Refractions: Highlights from The Studio Museum in Harlem,” a national...
“Amaranthine” (2018) by Lynette Yiadom Boakeye A SERIES OF ARRESTING PORTRAITS is on view at the Carnegie Museum of Art in Pittsburgh. Single and double portraits are exhibited along with a painting of four black males standing together, seemingly in conversation. Lithe figures, all bare-chested wearing only dark pants, any number of narratives could...
IN THE HANDS of Joyce J. Scott, the possibilities of glass beads are endless. She uses beads to tell stories, raise challenging social and political issues, and celebrate her mother. A quilt artist, Elizabeth Talford Scott (1916-2011), taught her daughter to sew with beads when she was five years old. Scott’s early exposure was...
WHETHER ITS THE BREAKING NEWS or a song she recently heard, Nina Chanel Abney is inspired by contemporary events and meaningful moments that often find their way into her work and may spontaneously define or change its direction. A new generation storyteller, Abney blends abstraction and figuration. Her images draw on the public discourse,...
From left, “Bridge” by Glenn Kaino; Tommie Smith (center) and John Carlos at the 1968 Summer Olympics. THE CLENCHED FIST, a symbol of Black Power and strength in the face of adversity, is showing up in museums. The historic gesture reflects the current moment in which many groups, frustrated with the political climate and...
YEAR AFTER YEAR, serious art aficionados descend on various locales around the world for art fairs, biennials, and major exhibition opening. The rolling schedule unfolds in New York, Basel, Paris, Venice, Berlin, Chicago, Miami, Johannesburg, Lagos, Los Angeles, and beyond. Each fall brings buyers and lookers to London for the 1-54 Contemporary Art Fair,...
IN A 2008 PAINTING, Nina Chanel Abney brought together the seemingly disparate images of her friend Randal, former U.S. Secretary of State Condoleezza Rice, a pack of dogs, and Michael Vick, the NFL player who was serving 21 months in prison for participating in dog fighting, when the work was made. Titled “Randaleeza,” the...
Installation view of “Frank Bowling: Make It New” at Alexander Gray Associates TEN DAYS AGO, “Soul of a Nation: Art in the Age of Black Power” opened at the Brooklyn Museum. The groundbreaking traveling show “shines light on a broad spectrum of Black artistic practice from 1963 to 1983, one of the most politically,...
Installation view of “Gary Simmons: Fade to Black” at CAAM A MONUMENTAL INSTALLATION has transformed the atrium/lobby of the California African American Museum (CAAM) in Los Angeles. The five wall-sized panels read: “Juke Joint,” “Moon Over Harlem,” “Midnight Shadow,” “The Joint is Jumpin, “Souls of Sin,” “Jivin in Be-Bop,” “The Bronze Buckaroo,” and on...
WHEN HE WAS 11 years old, a book of photographs forever changed Dawoud Bey‘s perspective in terms of his vulnerability as a black child. His parents purchased the book in 1964 after hearing James Baldwin speak at their church in Queens, N.Y. The event was part of a tour organized by the Student Nonviolent Coordinating...
“Pittsburgh Memory” (1964) by Romare Bearden HOW SHOULD AFRICAN AMERICAN ARTISTS respond to the Civil Rights Movement? The question was central to the organization of Spiral, the New York artist collective formed in 1963 in advance of the March on Washington for Jobs and Freedom. The 15-member group including Romare Bearden, Norman Lewis, Reginald...
“Everything #2.8” (2003) by Adrian Piper THE PRESENTATION of Adrian Piper’s retrospective at the Museum of Modern Art (MoMA) was historic. “Adrian Piper: A Synthesis of Intuitions, 1965–2016” was the museum’s largest-ever exhibition devoted to a living artist. At once sprawling and intentionally organized, the show featured more than 290 works. A conceptual pioneer, Piper...