THE CHICAGO PUBLIC ART PROGRAM commissioned a seven-panel series of historic images by Carrie Mae Weems nearly 25 years ago. Composed of framed chromogenic prints and sandblasted text on glass, the untitled work was made in 1996-97 in an edition of three. The first set went to the Bee Branch of the Chicago Public...
EMMA AMOS, “The Reader,” 1967 (oil on canvas in artist’s frame, 41 1/4 × 61 inches). | Crystal Bridges Museum of American Art, Bentonville, Arkansas. Courtesy of the artist and RYAN LEE Gallery, New York A PORTRAIT of a Harlem suit shop owner by Jordan Casteel is on view in the 1940s to Now...
HOW DID THE 20TH CENTURY’S most important African American artists discover their crafts? These beautifully illustrated books reveal how each got their start. For Jacob Lawrence, it was his childhood in Harlem where the hustle and colors of the neighborhood inspired his interest in art. His compelling story and those of Benny Andrews, Romare...
CULTURE TYPE IS REVIEWING The Year in Black Art 2015 in monthly installments over the coming weeks. The report began with a look at The Newsmakers, seven artists and curators who continue to advance their practices and their projects with fresh approaches and new ideas—effort thats are recognized and often garner significant news coverage. The...
HAPPY 2014! WHAT BETTER WAY to plunge into the new year than to study the wise words of black artists past and present? After years of establishing itself as the chief purveyor of notable quotes and sayings, Bartlett’s recently published “Bartlett’s Familiar Black Quotations: 5,000 Years of Literature, Lyrics, Poems, Passages, Phrases, and Proverbs from Voices...