Black Female Artists Who Got Their Start in 1960s and 70s are Focus of Two Group Exhibitions in New York
ACTIVE IN THE 1960S AND 70S, Black women artists had to deal with politics, even if their work wasn’t overtly political. Some of the most prominent figures from the time, including Vivian Browne, Emma Amos, Camille Billops, Suzanne Jackson, Senga Nengudi, and Betye Saar, rallied with their peers, taking stands and speaking up for...
An American in Paris: Herbert Gentry Said His Paintings Possess a ‘Certain Spontaneity’ and Reflect ‘People I’ve Met Throughout the World’
MANY BLACK AMERICAN ARTISTS, seeking a more racially receptive experience, thrived in Europe during the post-war years. A New Yorker, Herbert Gentry (1919-2003) was at the center of the milieu. In 1949, he established Chez Honey, a gallery-club in the Montparnasse area of Paris, a popular gathering place that engendered many of his friendships...
Artist Emma Amos on Her Falling Series: I Liked the Idea Somebody Was ‘Trying to Catch You’ or ‘Holding Onto You’
IN THIS MOMENT OF CHALLENGES, uncertainty, and promise, Ryan Lee Gallery is presenting a timely exhibition of works by Emma Amos (1937-2020). “Emma Amos: Falling Figures” brings together figurative paintings that depict bodies in free fall—indeterminable states of abandon, loss, anxiety, rescue, and trust. This exhibition is the first dedicated to the falling figure...
Emma Amos, 83, a Dynamic Painter, Masterful Colorist, and Member of Spiral Collective, Has Died
A PIONEERING ARTIST who made captivating, poignant, and culturally insightful works, Emma Amos (1937-2020) has died. She was 83. Amos passed away on May 20 in Bedford, N.H., of natural causes after a lengthy battle with Alzheimer’s disease. Ryan Lee Gallery in New York, where Amos has been represented since 2016, shared news of her...
Artist Vivian Browne’s Tantrum-Throwing Subjects Epitomize White-Male Privilege
“Seven Deadly Sins” (c. 1968) by Vivian Browne WHEN AFRICAN AMERICAN ARTISTS were weighing issues of race and representation in the 1960s, Vivian Browne (1929-1993) went in a unique direction. She began making drawings and paintings of white men in various states of rant, rage, and rebellion. Their white dress shirts and neckties indicate...
Culture Talk: Courtney Willis Blair on Ryan Lee Gallery’s Representation of Emma Amos
At Ryan Lee Gallery, EMMA AMOS, “Seated Figure and Nude,” 1966 (oil on canvas). | Photo by Victoria L. Valentine AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery artists. Blending figuration and...
