Crushing Decade-Old Auction Record, ‘The Businessmen’ by Jacob Lawrence Soars to $6.1 Million, Placing Him Among the Most Expensive African American Artists
BEST KNOWN FOR HIS HISTORY PAINTING—multi-panel series about Harriet Tubman, Frederick Douglass, and the Great Migration, among many others—artist Jacob Lawrence (1917-2000) has made auction history. “The Businessmen,” a 1947 painting by Lawrence sold for more than $6.1 million (including fees) last night at Sotheby’s New York. The price far exceeded the estimate which...
Jack Whitten’s ‘Ancient Mentor I’ Reaches $2.2 Million, Establishing New Auction Record, More Than Twice His Previous High Mark
Detail of “Ancient Mentor I” (1985) by Jack Whitten A SPECTACULAR PAINTING by Jack Whitten (1939-2018) established a new artist record yesterday evening. “Ancient Mentor I” (1985) sold for $2,235,000 (including fees) at Sotheby’s New York. The new benchmark shattered Whitten’s previous auction high, which was set by “The Ghost of Joseph Beuys” one...
Nearing $1 Million, Henry Taylor’s ‘I’ll Put a Spell on You’ Sets New Artist Record
AUCTION PRICES for paintings by Henry Taylor have reached a new realm. This evening, “I’ll Put a Spell on You” (2004) set a new benchmark at Sotheby’s New York. Bids flew past the estimate and the artist’s existing record. Amid the flurry, auctioneer Oliver Barker said “A lot of Henry Taylor collectors here.” After...
Sotheby’s Estimates ‘The Businessmen,’ a 1947 Painting by Jacob Lawrence, Will Sell for More than $1.5 Million
“The Businessmen” (1947) by Jacob Lawrence THE WHITE HOUSE ACQUISITION TRUST purchased “The Builders” by Jacob Lawrence (1917-2000) from Christie’s auction house on May 24, 2007. A few months later, First Lady Laura Bush had already incorporated the 1947 painting into her renovation of the Green Room, a formal sitting room on the State...
At Sotheby’s, New Painting by Lorna Simpson Sets Artist’s First Six-Figure Record
Lorna Simpson in her studio with “Day for Night” (2018) panels before they are painted. AN ARCHIVAL IMAGE of a woman standing precariously on the window ledge of a brick building inspired “Day for Night” (2018), a four-panel painting by Lorna Simpson. The new work sold for $375,000 including fees at Sotheby’s New York...
Studio Museum in Harlem Sale Raises $20.2 Million at Sotheby’s, Yields 24 Artist Records
WATCH The sale of Mark Bradford’s “Speak, Birdman” (2018) to benefit the Studio Museum in Harlem’s new building fund. Bids started at $1.6 million and quickly climbed to $5.8 million, the hammer price, which amounted to $6,776,200 with fees. | Video by Sotheby’s FIFTY YEARS AFTER AFRICAN AMERICAN ARTISTS played a prominent role in...
Njideka Akunyili Crosby Sets New Auction Record with Non-Figurative Painting, Proceeds Benefit Studio Museum in Harlem
“Bush Babies” (2017) by Njideka Akunyili Crosby. THE AUCTION PRICE FOR A PAINTING by Njideka Akunyili Crosby climbed a bit higher last week. “Bush Babies” by the Nigerian-born, Los Angeles-based artist sold for nearly $3.4 million including fees at Sotheby’s New York, a new artist record. Her previous high was just north of $3...
Kerry James Marshall’s ‘Past Times’ Soars to Record-Setting $21.1 Million at Sotheby’s, Artist Assumes Mantle as Most Expensive Living African American Artist
A GRAND-SCALE PAINTING by Kerry James Marshall had bidders battling last night. Marshall’s “Past Times” (1997) soared beyond the high estimate and sold for $18.5 million ($21.1 million, including fees). The high bid came by phone, setting an artist record. The painting was featured in Sotheby’s May 16 Contemporary Art Evening Auction and carried...
Creating Space: Here’s the List of 42 Artists Whose Works Are For Sale at Sotheby’s to Benefit the Studio Museum in Harlem
Lot 3: LYNETTE YIADOM-BOAKYE, “An Assistance of Amber,” 2017 (oil on linen). | Estimate $100,000-$150,000. Sold for $555,000 including fees THE STUDIO MUSEUM IN HARLEM and Sotheby’s are collaborating on a major sale of works by some of the most prominent and critically recognized artists of African descent working today. Artists including Mark Bradford,...
Priced to Set New Artist Record, ‘Past Times’ by Kerry James Marshall is Consigned to Sotheby’s by Chicago Convention Center
KERRY JAMES MARSHALL, “Past Times,” 1997 (acrylic and collage on unstretched canvas). | Estimate $8 million-$12 million. Sold for $21.1 million including fees ($18.5 million hammer price). RECORD MARQUIS WORKS BY AFRICAN AMERICAN ARTISTS are increasingly showing up at major auction houses. The latest is “Past Times” by Kerry James Marshall, which is being...
Early Work by Njideka Akunyili Crosby Tops Sotheby’s Second Sale Devoted to African Modern & Contemporary Art
AN ANDY-WARHOL-STYLE PORTRAIT made by Njideka Akunyili Crosby while she was in graduate school sold for more than twice its estimate at Sotheby’s London this week. The auction house held its second sale dedicated to Modern & Contemporary African Art on March 28, and “À La Warhol,” a four-image self-portrait by the Nigerian-born, Los Angeles-based...
Sotheby’s Contemporary Auctions: Exploring Tension Between Security and Exclusion, Hurvin Anderson Painting Tops $1 Million
Lot 11: HURVIN ANDERSON, “Some People (Welcome Series),” 2004 (oil on canvas, 150 by 232 cm. 59 by 91 3/8 inches). | Estimate £600,000—£800,000 ($832,560-$1,110,080). | Sold for £850,000 ($1,179,460) Hammer Price – £1,029,000 GBP ($1,427,840) including fees A SIGNIFICANT PAINTING by Hurvin Anderson topped $1 million at Sotheby’s London on March 7. A...
Auction Record: Lorna Simpson ‘Cloud’ Work Sets New Benchmark for the Artist
LORNA SIMPSON, “Cloud,” 2005. FEATURING AN ICONIC CLOUD ELEMENT, a major work by Lorna Simpson sold for $70,000 ($87,500 including fees) at Sotheby’s New York earlier this month. The price was an artist record, according Ask Art, Art Price, and Sotheby’s auction results. “Cloud,” a 2005 serigraph printed on felt in nine parts was...
Auction Record: 1968 Beveled-Edge Painting Sets New High Mark for Sam Gilliam
Detail of SAM GILLIAM, Untitled, 1968 featured in Contemporary Curated at Sotheby’s New York, March 2, 2018 FOR MORE THAN HALF A CENTURY, Sam Gilliam he has had a relatively successful practice by any measure with critical recognition, regular exhibitions, and representation in museum collections. Known for his expressive abstraction and fluid use of...
