In Progress: Simone Leigh assesses her towering “Brick House” sculpture. A STUNNING CLAY SCULPTURE by Simone Leigh rises 16-feet high in a Philadelphia foundry. Leigh’s monumental vision of a black woman is titled “Brick House” after the 1977 song by the Commodores. Blending architectural forms from West Africa and the American South with the...
EJ Hill at the Hammer Museum in Los Angeles WHAT DID YOU DO THIS SUMMER? E.J. Hill spent his entire summer standing on a platform at the Hammer Museum in Los Angeles. The museum’s Made in L.A. biennial opened on June 3 and every since, six days a week for three months, Hill has...
Portrait of Alma Thomas painted by Laura Wheeler Waring (1947). | Smithsonian American Art Museum RESEARCH IS ONGOING for a forthcoming exhibition dedicated to the life and work of Alma Thomas (1891-1978), the accomplished and technically rigorous abstract painter who was the first African American woman to have a solo exhibition at the Whitney...
“Did the Bear Sit Under the Tree” (1969) by Benny Andrews THE INTERNATIONAL TOUR for “Soul of a Nation: Art in the Age of Black Power” has been extended. The exhibition will be on view at The Broad next March. The Los Angeles museum is the exhibition’s only West Coast venue and the show’s...
“Fountain (reparations version)” (2016-17) by Pope.L EARLIER THIS MONTH, the Carnegie Museum of Art in Pittsburgh announced several new acquisitions, including “Fountain (reparations version)” (2016-17) by Chicago-based Pope.L. The sculpture is on view in the modern and contemporary galleries which have been re-hung to reflect the “depth, diversity, and eccentricities” of the Carnegie Museum’s...
“The Music of Color: Sam Gilliam, 1967-1973” recently opened in Basel, Switzerland. THE GALLERIES OF KUNSTMUSEUM BASEL are alive with color in the form of 45 abstract paintings by Sam Gilliam. “The Music of Color: Sam Gilliam, 1967-1973” is the Washington, D.C.-based artist’s first solo survey exhibition in a European museum. The show is...
IN RELATABLE IMAGES, Meleko Mokgosi explores weighty themes. He makes history paintings about the politics, culture, and history of Southern Africa. Post-colonial scenes of the quotidian are visions of democracy. For five years, Mokgosi has been pursuing “Democratic Intuition” (2014-present), a singular project, composed of eight chapters, each realized as an exhibition. The latest...
“You Deserve It Mama!!” (2017) by Aaron Fowler. ABOUT 20 IRONING BOARDS, a broom, family photographs, LED rope lights, a stuffed donkey, a stuffed dog sans the stuffing, and a tall pane of glass are among the myriad objects Aaron Fowler incorporated into a massive assemblage work called “You Deserve It Mama!!” The artist...
Charles White: A Retrospective. | Video by Art Institute of Chicago NEXT WEEK, THE LONG-AWAITED Charles White (1918-1979) retrospective opens at the Art Institute of Chicago. An artist, activist, and educator, Chicago-born White was a master draftsmen known for his powerful, realist images of African Americans. Featuring more than 80 paintings, drawings, and prints,...
“Benyam” (2018) by Jordan Casteel DENVER-BORN Jordan Casteel‘s hometown museum is hosting her first major museum show. “Jordan Casteel: Returning the Gaze,” an exhibition of nearly 30 paintings, opens at the Denver Art Museum (DAM) in February 2019. Recognized for her large-scale painted portraits of black men, Casteel lives and works in Harlem,...
WINOLD REISS, “Harlem Girl with Blanket,” circa 1925 FORTY WORKS BY A HARLEM LEGEND are on view in midtown Manhattan. “Winold Reiss Will Not Be Classified” at Hirschl & Adler gallery presents works spanning the German American artist’s four-decade career. Weinold Reiss (1886–1953) was variously considered an artist, designer, illustrator, architect, printmaker, and muralist....
JAMEA RICHMOND-EDWARDS, “Archetype of a 5 Star,” 2018 (acrylic, spray paint, glitter, ink and cut paper collage on canvas, 60 x 48 inches). | Courtesy of Kravets/Wehby Gallery and the artist AS A YOUNG GIRL, Jamea Richmond-Edwards got lost in the pages of Ebony magazine. She was particularly drawn to the runway images...
KERRY JAMES MARSHALL, Rythm Mastr, 1999-present. | Courtesy the artist and MCA Chicago EVERY TUESDAY FOR EIGHT WEEKS readers of the Pittsburgh Post-Gazette’s magazine were treated to a single illustrated panel from Kerry James Marshall’s Rythm Mastr comic series. This was nearly two decades ago, during the 1999/2000 Carnegie International when the artist first...
MAJOR EXHIBITIONS OF WORKS by Alma Thomas (1891-1978) have concentrated on her paintings, masterful abstract works that are defined by her attention to rhythm, pattern, and color. The Columbus Museum in Columbus, Ga., and the Chrysler Museum of Art in Norfolk, Va., have announced a forthcoming retrospective that will broadly explore her creative life—her...
The Carnegie Museum of Art in Pittsburgh is presenting the 2018 Carnegie International THIS FALL, THE CARNEGIE MUSEUM OF ART in Pittsburgh is presenting work by a compelling slate of artists from around the world. The artist list for the 57th edition of the Carnegie International was announced this week and the 32 artists...
EUROPEAN MUSEUMS ARE EXPOSING THEIR AUDIENCES to works by African Americans artists that reflect and respond to the history of race in United States. Two major exhibitions, “The Color Line: African American Artists and Segregation” at Le musée du quai Branly in Paris (2016), and “Soul of a Nation: Art in the Age of...
Alma Thomas with her work at the Whitney Museum of American Art. | Courtesy Archives of American Art LARGELY KNOWN AS A WASHINGTON, D.C,-BASED ARTIST who dedicated herself to her practice full-time late in life, Alma Thomas (1891-1978) is recognized for her abstract compositions, exuberant works defined by rhythmic pattern and vibrant color. The...
WASHINGTON, D.C. — Hanging half loose from its stretcher, a portrait of Thomas Jefferson reveals an image of a Black woman behind it. It’s a provocative juxtaposition that raises a question about the relationship between the two subjects. Her hair is covered while her partially shown shoulder and leg are bare. She is brown-skinned...
HENRY TAYLOR, “Ghanaian #3,” 2017 (acrylic on canvas, 15.75 x 11.75 x .75 inches, 40 x 29.8 x 1.9 centimeters). | © Henry Taylor, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo GLOBETROTTING OVER THE PAST YEAR, Henry Taylor spent time in Europe, Africa, and Cuba. All the while he was...
Lorna Simpson: In The Studio. | Video by Hauser & Wirth OVER THE PAST FIVE YEARS OR SO, Lorna Simpson has transformed her practice. An accomplished conceptual photographer, she is now a formidable painter, who is newly expressing herself through sculpture. Since the mid-1980s, Brooklyn-based Simpson has challenged conventional notions of gender, identity, history,...