Posts tagged "Betye Saar"
AN ASSEMBLAGE WORK by Betye Saar set a new artist record at auction recently. “ABCD Education” (2001) sold for $81,900 at an online sale hosted by Sotheby’s. The result was nearly three times the high estimate ($20,000-$30,000) setting a new benchmark. Saar’s work can be read as a meditation on Black education that comments...
CBS Sunday Morning reports on “Lift Ev’ry Voice and Sing” TODAY IS FLAG DAY. CBS News marked the occasion with a report about “Lift Ev’ry Voice and Sing.” The James Weldon Johnson poem was set to music in 1899 by Johnson’s younger brother, the composer John Rosamond Johnson. Known as the Black National Anthem,...
THE EXHIBITION CATALOG that accompanies “Betye Saar: Call and Response,” the artist’s showcase of sketchbooks and related artworks, is a real treasure. Organized by the Los Angeles County Museum of Art (LACMA), the traveling exhibition features sketchbooks dating from 1970 to 2015. The show represents an important milestone for Saar, given it is...
A CBS SUNDAY MORNING profile of assemblage artist Betye Saar aired Feb. 23. The segment opens with red carpet footage of the Art + Film Gala held last November at the Los Angeles County Museum of Art (LACMA). Honored that evening, Saar walks the red carpet in a black beaded gown by Gucci (one...
Betye Saar in the short documentary “Taking Care of Business,” directed by Christine Turner BLACK FILMMAKERS and black stories are an increasing presence at the Sundance Film Festival. This year a number of projects garnered attention, including documentaries about artist Betye Saar and philanthropist and art collector Agnes Gund, and three films by black...
IN LOS ANGELES, it’s art fair season. Frieze Los Angeles is open for its second year at Paramount Pictures Studios. Art Los Angeles Contemporary is happening at the Hollywood Athletic Club. The Hollywood Roosevelt Hotel is hosting the Felix art fair and Spring/Break is at Skylight ROW DTLA. At The Kinney in Venice, stARTup...
ONCE RELEGATED TO THE MARGINS, artists of African descent continued to migrate toward the center of the art world in 2019, claiming space on just about every front as the decade came to a close. Black contemporary artists won many of the year’s most prestigious and lucrative international art prizes. They shared their work...
MANY POPULAR AFRICAN AMERICAN ARTISTS are making versions of their work more accessible through objects and products sold at museums and other outlets. A box of artist-inspired notecards, an artful calendar, or a new coffee table book makes the perfect gift. In November, “Soul of a Nation: Art in the Age of Black Power”...
IT’S GALA SEASON and museums have been hosting star-studded fetes honoring artists and raising funds to support their programs and venues. Artist Rashid Johnson was honored at Performa 19’s opening night gala, paid tribute to a fellow artist at the Dia Art Foundation, and co-chaired the Guggenheim Museum’s gala. (He serves as a trustee...
Gus Casely-Hayford is the inaugural director of V&A East in London The following review presents a snapshot of recent news in African American art and related black culture: NEWS APPOINTMENT | Gus Casely-Hayford is joining the Victoria & Albert Museum in London as inaugural director of V&A East. He is heading up two...
Installation view of Betye Saar at Museum of Modern Art FALL IN NEW YORK CITY is always a time of renewal and fresh new perspectives when it comes what’s next and relevant in art. This season there are an exceptional number of opportunities to experience the work of African American artists in museums, galleries,...
“Untitled #7” (1975) by Howardena Pindell The following review presents a snapshot of recent news in African American art and related black culture: ARTISTS The New York Times profiled Betye Saar in advance of her fall solo exhibitions at the Museum of Modern Art in New York and Los Angeles County Museum of...
THE YEAR AHEAD begins and ends with major traveling exhibitions, each presenting nearly a century of works by African American artists. The January debut of “Black Refractions: Highlights From the Studio Museum in Harlem” at the Museum of the African Diaspora in San Francisco kicks off a tour of six venues. Scheduled for seven...
Artist Betye Saar, 1970 THE J. PAUL GETTY TRUST dedicated resources to “recover the historical record of art in Southern California” in 2002. Nearly a decade later, the endeavor led to Pacific Standard Time, a region-wide collaboration with more than 60 institutions that resulted in a sweeping series of exhibitions, programs and publications exploring...
Installation view of “Betye Saar: Something Blue,” Roberts Projects, Los Angeles THE SMITHSONIAN’S ARCHIVES OF AMERICAN ART interviewed Robert Colescott about his life and work in 1999. Paul Karlstrom, who spent his entire three-decade career at the archives as West Coast regional director, conducted the oral history interview with the artist. Toward the end...
DAYS BEFORE THE OPENING of “Charles White: A Retrospective” at the Museum of Modern Art (MoMA) in New York on Oct. 7, a dramatic drawing by the pivotal, 20th-century figure topped the latest African-American Fine Art sale at Swann Auction Galleries. “Nobody Knows My Name #1” sold for $485,000 (including fees) on Oct. 4....