Posts tagged "Howardena Pindell"
A MONUMENTAL WORK by Howardena Pindell is coming to auction at Christie’s New York this week. “Untitled #24” (1978-79) is a grid-based work composed of several hundred squares painted, sewn together, and embellished with glitter, sequins, and Pindell’s signature hole-punched paper dots. “Untitled #24” is the largest painting by Pindell to come to auction....
Installation view of “Prints from the Brandywine Workshop and Archives: Creative Communities” at Harvard Art Museums On View presents images from noteworthy exhibitions THROUGH COLLABORATION AND EXPERIMENTATION, master printers and a diverse slate of artists have been producing new works at Brandywine Workshop and Archives for half a century. The Philadelphia organization was...
Latest News in Black Art features news updates and developments in the world of art and related culture María Magdalena Campos-Pons. | Photo by John Russell, Courtesy Vanderbilt University Appointments María Magdalena Campos-Pons is serving as the inaugural consulting curator of the Tennessee Triennial. A Cuban-born artist and educator, Campos-Pons is a...
WHATEVER WISDOM Fulton Leroy Washington (aka Mr. Wash) imparts on graduating art students at UCLA, he will likely emphasize the importance of time. Don’t waste it. Make the most of it. You can’t get it back. Washington is delivering the keynote address at the UCLA School of the Arts and Architecture graduating class of...
THE NATIONAL GALLERY OF ART (NGA) recently acquired “Free, White and 21” (1980), a seminal video installation by artist Howardena Pindell. She was 37 years old when she filmed herself facing the camera recounting her personal experiences with racism and bias as a young Black woman in America. Pindell also performs as a white...
THE YEAR IN BLACK ART is off to a fascinating start. In January, Helen Molesworth organized a Noah Davis (1983-2015) exhibition at David Zwirner gallery in New York, a rare look at more than 20 paintings by the late Los Angeles-based artist and founder of the Underground Museum. The Johnson Publishing Company art collection...
ONCE RELEGATED TO THE MARGINS, artists of African descent continued to migrate toward the center of the art world in 2019, claiming space on just about every front as the decade came to a close. Black contemporary artists won many of the year’s most prestigious and lucrative international art prizes. They shared their work...
“Untitled #7” (1975) by Howardena Pindell The following review presents a snapshot of recent news in African American art and related black culture: ARTISTS The New York Times profiled Betye Saar in advance of her fall solo exhibitions at the Museum of Modern Art in New York and Los Angeles County Museum of...
MORE THAN A DOZEN EXHIBITIONS, most in and around London, are showcasing the work of black female artists this summer. Presented at museums, nonprofits, and commercial galleries, many of the shows are breaking new ground for the artists, who span generations. Faith Ringgold at Serpentine Galleries is making her European institutional solo debut and...
THE LATEST SALE of African-American Fine Art at Swann Auction Galleries resulted in auction records for several living women artists, including Simone Leigh, Emma Amos and Howardena Pindell. In addition, works by Sonya Clark and Allison Janae Hamilton appeared at auction for the first time and established benchmarks well above their estimates. Lot 171:...
From left, Howardena Pindell is receiving the 2019 Distinguished Artist Award for Lifetime Achievement and Joyce J. Scott is delivering the CAA conference keynote address. THE ANNUAL CONFERENCE of the College Art Association (CAA) is happening this week in New York City. Students and art historians are gathering at the New York Hilton Midtown...
VICTORIA MIRO has announced its representation of Howardena Pindell. The UK-based gallery is working with the multidiscplinary artist in collaboration with Garth Greenan Gallery, her rep in New York. Pindell’s first exhibition with Victoria Miro is planned for June 2019 in London. Focusing primarily on abstraction and conceptualism, Pindell engages with personal, political and social...
“Everything #2.8” (2003) by Adrian Piper THE PRESENTATION of Adrian Piper’s retrospective at the Museum of Modern Art (MoMA) was historic. “Adrian Piper: A Synthesis of Intuitions, 1965–2016” was the museum’s largest-ever exhibition devoted to a living artist. At once sprawling and intentionally organized, the show featured more than 290 works. A conceptual pioneer, Piper...
Johnson Publishing Library Archive at Rebuild Foundation, Chicago (April 23, 2016). | Photo by Victoria L. Valentine TODAY IS WORLD BOOK DAY, what are you reading? An exhibition catalog or critical text perhaps? Designated by the United Nations Educational, Scientific, and Cultural Organization (UNESCO), World Book and Copyright Day celebrates and promotes books, reading,...
THE YEAR AHEAD MARKS KEY HISTORIC MILESTONES. Fifty years ago, Martin Luther King Jr., was assassinated on April 4, 1968 in Memphis, Tenn. King’s legacy will be honored this year through many programs and events. A new exhibition at the Smithsonian’s National Museum of African American History and Culture examines the 1968 Poor People’s Campaign,...
HOWARDENA PINDELL, Detail of “Oval Memory Series II: Castle Dragon,” 1980-81. LAST YEAR, ANDREA BOWERS was in conversation with Martha Rosler at the Dia Art Foundation. The two artists discussed “If You Lived Here…,” a project about homelessness and real estate in New York City Rosler presented at the Dia in 1989. Invited to...
THE VIRGINIA MUSEUM OF FINE ARTS (VMFA) named Valerie Cassel Oliver its new Sydney and Frances Lewis Family Curator of Modern and Contemporary Art. Recognized for her ability to connect with artists and identify promising emerging figures, Cassel Oliver is expected to invigorate the department, introducing an innovative exhibition program and a broad range...
Installation by Ebony G. Patterson. IN JUNE, ARTNEWS DEVOTED a special issue to women in the art world and the findings revealed a major gulf between the experiences of male and female artists and curators. According to ARTnews, women are seriously underrepresented when it comes to running major museums. Female artists trail far behind...
DURING A TALK ABOUT COLLECTING African American art, collector Rodney Miller told curator Ruth Fine that he is a “big, big, big fan of painting.” And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller’s paintings by Norman Lewis...
EACH FALL BRINGS A NEW SLATE of art exhibitions, usually the best of the calendar year. This season, commercial galleries are showing an interesting mix of African American and African diasporic artists working in a range of mediums and addressing a diversity of issues. Following William Pope.L‘s “Trinket” exhibition at the Museum of Contemporary Art,...