HENRY TAYLOR’s paintings on view at 2017 Whitney Biennial, including his depiction of Philando Castile, at right. | Photograph by Matthew Carasella, Courtesy Whitney Museum THROUGH LOOSLY RENDERED FIGURATION Henry Taylor conveys a sense of authenticity and insight into the complexity of humanity. The Los Angeles-based artist is participating in the 2017 Whitney Biennial,...
AMONG EXHIBITIONS OPENING in March, presentations at major museums include Kerry James Marshall’s “Mastry” survey at the Museum of Contemporary Art, Los Angeles, the last stop on its critically praised, three-venue tour. And Theaster Gates has a tightly curated show that just opened at the National Gallery of Art in Washington, D.C. “In the...
Installation view, KAHLIL JOSEPH: Double Conscience at MOCA LA SOUGHT AFTER ARTIST AND FILMMAKER Kahlil Joseph has worked with Kendrick Lamar, Shabazz Palaces, Flying Lotus, FKA Twigs, and shared a directing credit with Beyonce on her visual album “Lemonade.” He has also collaborated with film director Terrence Malick and visual artists Henry Taylor, Martine...
FOR THE MARCH COVER of Art in America magazine Henry Taylor was inspired by a society photograph from half a century ago. Titled “Cicely and Miles Visit the Obamas” the Los Angeles-based painter imagines Cicely Tyson and Miles Davis (1926-1991) visiting President Barack Obama and First Lady Michelle Obama at the White House. The...
THORNTON DIAL (1965-1998), “Lost Cows”, 2000-2001 SOON, THE GALLERIES at the de Young Museum in San Francisco will echo the American South. Works by African American contemporary artists from Alabama, Tennessee, Georgia, Mississippi, and Florida will be presented in six spaces at the museum where the institution’s permanent collection is usually on view. An...
Lot 3: NJIDEKA AKUNYILI CROSBY, “The Beautyful Ones,” 2012 (acrylic, pastel, colour pencil and Xerox transfer on paper). | Estimate $488,800-$733,200. Sold for $3,075,774 (including fees). RECORD ONLY THREE WORKS by Njideka Akunyili Crosby have come to auction and they have all been record breakers. In the span of six months, sales for the...
FEWER THAN 10 PEOPLE are on staff at Prospect New Orleans. An addition to the small team was just announced. Jennifer M. Williams is joining the citywide triennial of contemporary art as deputy director for the public experience. For nearly seven years, Williams served as executive director and curator at McKenna Museum of African-American Art...
Eldzier Cortor’s “Classical Study No. 39,” 1979 (oil on canvas) is featured on the cover of Pomegranate’s 2018 calendar. KATIE BURKE WAS VISITING Michael Rosenfeld Gallery in New York when she saw a major painting by Eldzier Cortor (1916–2015) and it sparked an idea. The publisher of Pomegranate Communications, Burke was very familiar with...
THE FUND FOR AFRICAN AMERICAN ART at the Brooklyn Museum is honoring collector Pamela J. Joyner at its annual benefit March 16. The fund concentrates on gifts and purchases of pre-1945 works by important African American artists. Recent acquisitions include “Woman with Bouquet” (circa 1940) by Laura Wheeler Waring, Beauford Delaney’s 1945 “Untitled (Fang,...
Artists Njideka Akunyili Crosby and Julie Mehretu, Museum director Belinda Tate WOMEN ACCOUNT FOR 51 PERCENT of visual artists working today, according to the National Endowment for the Arts. The figure mirrors women’s representation in the U.S. population, which was 50.8 percent in 2015, based on Census statistics. The parity ends there. The National...
PAINTED NEARLY 50 YEARS AGO, Alma Thomas‘s ode to “Spring Flowers in Washington D.C.” set an artist record yesterday, topping more than $300,000 at Los Angeles Modern Auctions. Grounded in pink, the mesmerizing square canvas is a rhythmic composition of pattern and color. Nearly four hours after the Modern Art & Design Auction started...
From left, Jefferson Pinder and Sam Gilliam THE HIRSHHORN MUSUEM and Sculpture Garden is honoring contemporary artists who live and work in Washington, D.C., including Sam Gilliam and Jefferson Pinder. After hosting two galas in New York, the Smithsonian museum is bringing its fundraising celebration home. In addition to Gilliam and Pinder, Linn Meyers,...
THE DIA ART FOUNDATION appointed Courtney J. Martin deputy director and chief curator. An assistant professor of art history and architecture at Brown University, she curated an exhibition of the American painter Robert Ryman at Dia:Chelsea in 2015-16. It was the Dia’s first exhibition in Chelsea in more than a decade and Ryman’s first...
ALMA THOMAS, “Spring Flowers in Washington D.C. (1969) is being offered at LA Modern Auctions on March 5. IN A HANDWRITTEN LETTER, Alma Thomas (1891-1978) thanked an aspiring young African American physician for sending his final payment to purchase one of her paintings. The California college student visited Thomas’s studio in 1969 and decided...
Installation view of “Songs of My People: 25 Years Later,” at George Washington University. | Photo courtesy Gallery 102 TWENTY-FIVE YEARS AGO, before social media existed and online news outlets were few, there were scant alternatives to combat negative portrayals in mainstream media. “The African American community was not being covered fairly in the...
LOS ANGELES ARTIST Henry Taylor is bringing California cool to the High Line next month with a massive mural. Debuting March 17, “the floaters” is a self-portrait featuring the sunglass-wearing artist leisurely lounging in an enchanting blue pool. Taylor is also featured in the Whitney Biennial, which opens the same day at the nearby...
A post shared by CHRISTIE'S (@christiesinc) on Feb 26, 2017 at 11:46am PST SITUATED BETWEEN “Love in the Night,” by Yayoi Kusama and John Baldessari’s “Exulting Figure (With Coins) and Witness,” a masterful body print by David Hammons is on display at Christie’s New York at Rockefeller Center. Depicting a lone figure executed...
Julie Mehretu, “Looking Back to a Bright New Future” (2003). A MAJOR PAINTING by Julie Mehretu is on view in the contemporary art galleries at the Detroit Institute of the Arts (DIA). A symphony of line, color, and form, “Looking Back to a Bright Future” (2003) is on loan from a private collection for...
James Baldwin in “I Am Not Your Negro.” | Photo by Dan Budnick THERE IS TRUE ARTISTRY in “I Am Not Your Negro.” Inspired by the writings and profound insights of James Baldwin (1924-1987), Raoul Peck’s seminal film manages to synthesize more than 50 years of America’s woeful racism and dogged inhumanity into 93...
HOW DID THE 20TH CENTURY’S most important African American artists discover their crafts? These beautifully illustrated books reveal how each got their start. For Jacob Lawrence, it was his childhood in Harlem where the hustle and colors of the neighborhood inspired his interest in art. His compelling story and those of Benny Andrews, Romare...
On View: ‘Michael Armitage: Crucible,’ Paintings by Kenyan British Artist Explore Migration at David Zwirner in New York
Jun 27, 2025
Fresh Out of Graduate School, Christine Sun Kim Helped to Greatly Improve Experiences of Deaf Audiences at the Whitney Museum
Jun 24, 2025
American Sign Language Videos Explore Whitney Museum’s Collection, Including Works by Simone Leigh, Archibald Motley, Diedrick Brackens, Jacob Lawrence & More
Jun 24, 2025
Picturing Freedom: Exhibition and Pulitzer Prize-Winning Book Shed Light on Harriet Tubman’s Greatest Feat, Liberating More than 700 in Combahee River Raid
Jun 19, 2025
On View: ‘Jack Whitten: The Messenger’ at Museum of Modern Art in New York is First Full Retrospective of Pioneering Artist
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